1. How might Khabeer's perception of how others interpreted her body while dancing at the "girl party" have been affected by her experience as a Black woman? 2. How was the election and presidency of Barack Obama simultaneously a step forward and backward for social equity? 3. Why is religion so often decoupled from music, or certain musical genres, despite their historic connections? Why does it seem like religious music is not quite as popular as music that is either secular or not explicitly spiritual? 4. Khabeer regularly capitalizes words like "Black", "Blackness", and "Whiteness". How does this affect the reader and their interpretation of the ethnography's message? 5. Regarding the chapter title, "Policing Music. . .", how does broader American, or even global, society "police" or "democratize" art (music, literature, film, etc.)? In what ways should artists be afforded relative autonomy in the...